Andy Smith — Hammond organ Daniel Nail — tenor saxophone Carlos Vargas-Ortíz — guitar Isaiah Cook — drums Hydrophonics is a funk and soul organ quartet based in Cincinnati, Ohio. Their sound is a melting pot of styles reflecting the different musical backgrounds of the band members, with priority always given to danceable grooves and tasteful melodies. Hydrophonics’ catalog includes original music and arrangements of the works of Ray Charles, Stevie Wonder, Bill Withers, and more. If you like Soulive, Medeski, Martin, Scofield & Wood, Jimmy Smith, Cory Henry & the Funk Apostles, then you’ll enjoy the soulful sounds of Hydrophonics. A $15 food/drink minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Kelly MacKenzie-Thurley — vocalist Lynne Scott — vocalist Hank Mautner — trumpet Phil DeGreg — piano Bill Jackson — bass Jim Leslie — drums Get into the Thanksgiving spirit, and join us for A Swinging Friendsgiving jazz event at Caffé Vivace in Cincinnati’s hip Walnut Hills! Featuring the fabulous Kelly MacKenzie-Thurley on vocals with the sensational Phil DeGreg Trio. The evening will be filled with swingin’ tunes and festive spirit, with special guests, including the legendary Lynne Scott, joining the celebration. Set against the backdrop of cozy caffé vibes, the night promises a delightful blend of music and camaraderie, making it the perfect way to give thanks and get your groove on with friends. Don’t miss this unforgettable night of jazz and joy. That’s straight fire…and no turkey! Kelly MacKenzie-Thurley is a graduate of Northern Kentucky University and the Cincinnati College-Conservatory of Music. She has sung in operas, musicals, cabarets, festivals, and concerts throughout the United States, Australia, Italy, the Czech Republic, Austria, the United Kingdom, and Germany, including performances at Cincinnati’s Music Hall, Harlech Castle in North Wales, and the Sydney Opera House. Kelly has been on the voice faculty at NKU’s School of the Arts for nine years and has also run voice studios in Sydney, London & Cincinnati, where she worked with private students, recording studios, and vocal ensembles and was recently invited to join the voice faculty of the University of Dayton. In 2018, she became the NKU Vocal Jazz Ensemble director and continued her studies with Darmon Meader of New York Voices. In October 2021, Kelly served as a Jazz Ambassador for the Cincinnati-Nancy Sister Jazz Initiative in Nancy, France, and Kelly continues to perform regularly throughout Southwest Ohio. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Spencer Merk — trombone Eric Lechliter — trumpet Josh Kline — tenor saxophone Chris Caporale — piano Justin Dawson — bass Alex Merk — drums The Spencer Merk Sextet explores Cincinnati jazz's storied past while shaping its future. The band will play music by Frank Foster, Fred Hersch, Gordon Brisker, John von Ohlen, and many other legendary musicians from the Queen City. It will also play originals written by its members as they aspire to join the ranks of countless Cincinnati jazz greats. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Joshua Redman — tenor saxophone Paul Cornish — piano Philip Norris — bass Nazir Ebo — drums Joshua Redmans is one of the most acclaimed and respected jazz artists to have emerged in our generation. With a career of over thirty years, it is hard to imagine a year of firsts for a musician as prolific as Redman. And yet, 2023 proved to be exactly that: launching his debut album, Where Are We, on the venerable Blue Note Records label, this album was planned largely by phone and text – a direct result of the difficulties of the pandemic - and finds Redman recording with a vocalist and writing lyrics for the first time. Through the lens of geographic location, Redman and his band march across the United States, asking us to examine what we find critically. Of this particular assemblage, hand-picked for this album, Redman says, “The magic of this particular gathering of musicians was that we were able to come together from points afar, to converge (physically and creatively) in a particular place at a particular time; and to embrace, with fullest imagination and without the slightest reservation, the ethic of ‘serving the songs.’ In this sense, where are we is perhaps above all a meditation on the power and importance of place — the unique human beauty created when we locate ourselves in shared physical spaces together with others; the loss, anomie, and angst suffered when we divide ourselves unnaturally and unjustly apart.” But he wasn’t supposed to be a musician. In 1991 Redman graduated from Harvard College summa cum laude and had already been accepted by Yale Law School, having deferred entrance for what was only supposed to be one year. Instead, he moved to New York City and immediately immersed himself in the jazz scene. Five months later, Redman won the prestigious Thelonious Monk International Saxophone Competition and began touring and recording with jazz masters such as Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny, Paul Motian, Dewey Redman, and Clark Terry. As renowned for his musicianship as he is for his visionary ability to assemble talent, one of Redman’s earliest bands, heard on his 1994 album MoodSwing, includes musicians who would later become some of the most influential artists of their generation: pianist Brad Mehldau, bassist Christian McBride, and drummer Brian Blade. They reunited nearly 30 years later, releasing RoundAgain (2020) and LongGone (2022) to resounding critical acclaim and sold-out performances worldwide. He has recorded nearly two dozen albums, but Redman’s prodigious talent has taken him beyond the bandstand as well: helming the creation of the SFJAZZ Collective, an ensemble distinguished by a unique emphasis on composition; expanding jazz departments via his appointments as a Visiting Artist at Stanford University and as the Artistic Director of the Roots, Jazz, and American Music program at the San Francisco Conservatory of Music; and writing music for film. He wrote and performed the music for Louis Malle’s final film, “Vanya on 42nd Street,” and is both seen and heard in the Robert Altman film Kansas City. He has recorded and performed with a vast array of luminaries, both in jazz and beyond: Dave Brubeck, Chick Corea, The Dave Matthews Band, Herbie Hancock, Elvin Jones, Quincy Jones, Big Daddy Kane, B.B. King, Yo Yo Ma, The Rolling Stones, The Roots, McCoy Tyner, and Stevie Wonder, to name a few. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Joshua Redman — tenor saxophone Paul Cornish — piano Philip Norris — bass Nazir Ebo — drums Joshua Redmans is one of the most acclaimed and respected jazz artists to have emerged in our generation. With a career of over thirty years, it is hard to imagine a year of firsts for a musician as prolific as Redman. And yet, 2023 proved to be exactly that: launching his debut album, Where Are We, on the venerable Blue Note Records label, this album was planned largely by phone and text – a direct result of the difficulties of the pandemic - and finds Redman recording with a vocalist and writing lyrics for the first time. Through the lens of geographic location, Redman and his band march across the United States, asking us to examine what we find critically. Of this particular assemblage, hand-picked for this album, Redman says, “The magic of this particular gathering of musicians was that we were able to come together from points afar, to converge (physically and creatively) in a particular place at a particular time; and to embrace, with fullest imagination and without the slightest reservation, the ethic of ‘serving the songs.’ In this sense, where are we is perhaps above all a meditation on the power and importance of place — the unique human beauty created when we locate ourselves in shared physical spaces together with others; the loss, anomie, and angst suffered when we divide ourselves unnaturally and unjustly apart.” But he wasn’t supposed to be a musician. In 1991 Redman graduated from Harvard College summa cum laude and had already been accepted by Yale Law School, having deferred entrance for what was only supposed to be one year. Instead, he moved to New York City and immediately immersed himself in the jazz scene. Five months later, Redman won the prestigious Thelonious Monk International Saxophone Competition and began touring and recording with jazz masters such as Jack DeJohnette, Charlie Haden, Elvin Jones, Joe Lovano, Pat Metheny, Paul Motian, Dewey Redman, and Clark Terry. As renowned for his musicianship as he is for his visionary ability to assemble talent, one of Redman’s earliest bands, heard on his 1994 album MoodSwing, includes musicians who would later become some of the most influential artists of their generation: pianist Brad Mehldau, bassist Christian McBride, and drummer Brian Blade. They reunited nearly 30 years later, releasing RoundAgain (2020) and LongGone (2022) to resounding critical acclaim and sold-out performances worldwide. He has recorded nearly two dozen albums, but Redman’s prodigious talent has taken him beyond the bandstand as well: helming the creation of the SFJAZZ Collective, an ensemble distinguished by a unique emphasis on composition; expanding jazz departments via his appointments as a Visiting Artist at Stanford University and as the Artistic Director of the Roots, Jazz, and American Music program at the San Francisco Conservatory of Music; and writing music for film. He wrote and performed the music for Louis Malle’s final film, “Vanya on 42nd Street,” and is both seen and heard in the Robert Altman film Kansas City. He has recorded and performed with a vast array of luminaries, both in jazz and beyond: Dave Brubeck, Chick Corea, The Dave Matthews Band, Herbie Hancock, Elvin Jones, Quincy Jones, Big Daddy Kane, B.B. King, Yo Yo Ma, The Rolling Stones, The Roots, McCoy Tyner, and Stevie Wonder, to name a few. Born in Berkeley, California, he is the son of legendary saxophonist Dewey Redman and dancer Renee Shedroff. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Will Kjeer - piano Kevin McClellan - bass Matt McAllister - drums NYC-based pianist and composer Will Kjeer stands out as one of his generation's most versatile jazz artists. A recent graduate of the Juilliard School’s M.M. program, Will’s expansive and nuanced approach to creative music has earned him recognition from living legends of the jazz vanguard and contemporary pioneers alike. The great guitarist Russell Malone called Will “a pianist of exceptional heart,” and drum sorcerer Dave King was so impressed with Will’s intentionality that he offered to produce and perform on Will’s 2025 debut album and eventually invited him to sub for Ben Monder in The Bad Plus - making him the only musician ever asked to sub with the band. Will has won numerous awards as a performer/composer, including being selected by American composing genius Billy Childs as a Ravinia’s Bridges Composition Competition winner. He also won the Yamaha Young Performing Artist Competition, the Angel City Jazz Festival Young Artist Competition, and the Jazz Fest Bonn International JazzBeet Competition. He is an alumnus of Betty Carter’s Jazz Ahead and the Steans Music Institute. He has performed for Herbie Hancock as a finalist for admission to the prestigious Thelonious Monk Institute. He is currently a member of the BMI Composer’s Workshop in New York. He has performed his original music across America at the John F. Kennedy Center for Performing Arts, The Los Angeles County Museum of Art, Ravinia’s Bennett Gordon Hall in Chicago, and Dizzy’s at Lincoln Center in New York City. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be within 24 hours of the start of the performance. 

See Cincinnati's premier big band kick off the holidays with powerful, festive big-band jazz. Cincinnati's legendary Blue Wisp Big Band celebrates its 44th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is why they started playing in the first place.” He wanted to start a “world-class big band and put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. The group’s notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

El Ritmo Del Mañana gets together for the first time since Zion moved to California. ERDM will bring you some of their classic Latin jazz compositions and your favorite covers. Join us as we celebrate our thankfulness to this music and to everyone who supports it! Zion Sosa — congas Eric Wurzelbacher — tenor saxophone Eric Lechliter — trumpet Colin Palmieri — alto saxophone Chris Caporale — piano Mason Daughterty — bass Derek Johnson — drums ERDM plays music from Chucho Valdes to Sivuca, including original Latin jazz compositions and arrangements. It will make you want to get up and dance! A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be within 24 hours of the start of the performance. 

Kathy Wade — vocalist Dan Karlsberg — piano Justin Dawson — bass Phillip Tipton— drums Kathy Wade Christmas brings her quartet's sizzling sounds to timeless holiday Jazz standards. Join us for a most wonderful swinging time of the year! Renowned international jazz vocalist and recording artist Kathy Wade, a Top Music Influencer in the Cincinnati Black Music Walk of Fame, has been a popular Cincinnati performer for over 40 years. A two-time regional Emmy® award winner, she has sung in concerts across the United States, Europe, and the Caribbean. Kathy opened for the legendary Eartha Kitt, Dionne Warwick, Dame Cleo Laine, Shirley Horn, Nancy Wilson, Diane Schuur, Anita Baker, Alex Bugnon, Kenny G, Whitney Houston, David Sanborn, George Benson, Al. Jarreau, Frankie Beverly and Maze, Will Downing and Ramsey Lewis. Kathy debuted with the Cincinnati Pops Orchestra in July 2021 as a guest performer with the Cincinnati Chamber Orchestra with former conductor Keith Lockhart and the Kentucky Symphony Orchestra won rave reviews for their work in Ain’t Misbehavin’, the 60s review Beehive; Crowns at Tony recipient Cincinnati Playhouse in the Park; and Crowns at the Repertory Theater of St. Louis; Suessical, Jr., the world premiere of The Wiz, Jr. with the Children’s Theater of Cincinnati and guest performer in the national tour of The Vagina Monologues. Kathy is the 2023 Ohio Governor’s Awards for the Arts honoree in Arts Administration and presenter at the Oxford University, Oxford, UK World Literacy Summit. She co-founded Learning Through Art, Inc., a nonprofit organization celebrating 32 years of building resilient communities through art. A graduate of Xavier University with a master’s in arts administration from UC’s CCM, Kathy is the 2024 University of Cincinnati Marian A. Spencer Mosaic Distinguished Alumni Award recipient. Kathy serves on Xavier University's Board of Trustees and CCMpower Board. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Enjoy a night of jazz with the University of Cincinnati College-Conservatory Of Music Prep Combos! The CCM Preparatory Department Combos are host to a variety of community members whose mission is to become familiar with the jazz idiom and repertoire. The CCM Prep High School Combo features the best young musicians from the greater Cincinnati area showcasing their talents in a small combo setting. The CCM Prep Adult combo features musicians enriched in the Cincinnati jazz scene and believes that learning does not stop at any age. A $15 ($5 for students) drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be within 24 hours of the start of the performance. 

Brent Gallaher — tenor saxophone Michael Mavridoglou — trumpet Steve Schmidt — piano Justin Dawson — bass Jim Leslie — drums You can expect to hear some classic and newer tunes, swinging and funky, by Horace Silver, Art Blakey, Wayne Shorter, and other jazz greats, as well as some original songs by some of the Bears! Please come and plan on having fun - without bearly trying! :) A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Cincinnati's legendary Blue Wisp Big Band celebrates its 44th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all of the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is the reason they started playing in the first place.” He felt the desire to start a “world-class big band and wanted to put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. Among the group’s more notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future Blue Wisp Big Band show of equal value will be accepted. 

Led by Professor Craig Bailey, the CCM Jazz Lab Big Band is a 17-20 member ensemble that performs a wide variety of styles from historical swing, bebop, post-bop, fusion, and Latin to avant-garde. Special emphasis is placed on the idiom's great art-music composers, such as Thad Jones, Bill Holman, Bob Brookmeyer, and Maria Schneider, and historic re-creations such as Ellington, Basie, Herman, and Kenton. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

“Horn is among the most exciting young vocalists in jazz, with a proud traditionalism that keeps her tightly linked to the sound of classic figures like Nancy Wilson and Betty Carter, but a vivacity of spirit and conviction that places her firmly in the present.” — The New York Times Jazzmeia Horn, named by her jazz-loving grandmother, was born in Dallas, Texas, in 1991. She grew up in a close church-going family, singing gospel music. Ms. Horn graduated from Booker T. Washington High School for the Performing and Visual Arts, which was attended by other great artists such as Roy Hargrove, Norah Jones, and Erykah Badu. 2009, she enrolled at The School of Jazz at The New School in New York City. Ms. Horn won the 2013 Sarah Vaughan International Jazz Vocal Competition and the 2015 Thelonious Monk Institute International Jazz Competition and, shortly after, was signed by Concord Records. In 2017, she released her debut album, A Social Call, which was nominated for a Grammy Award. Ms. Horn continued to tour nationally and internationally, honing her vocal, performance, and writing skills to convey her message about the global need for love and social change. In 2019, she released Love and Liberation, which also received a Grammy nomination. The following year, she published her book Strive From Within The Jazzmeia Horn Approach while recording her big band album, Dear Love. Dear Love, an album of encouragement through poetry and spoken word addressing the aspects of her community, her love, and herself, was released in September 2021. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

“Horn is among the most exciting young vocalists in jazz, with a proud traditionalism that keeps her tightly linked to the sound of classic figures like Nancy Wilson and Betty Carter, but a vivacity of spirit and conviction that places her firmly in the present.” — The New York Times Jazzmeia Horn, named by her jazz-loving grandmother, was born in Dallas, Texas, in 1991. She grew up in a close church-going family, singing gospel music. Ms. Horn graduated from Booker T. Washington High School for the Performing and Visual Arts, which was attended by other great artists such as Roy Hargrove, Norah Jones, and Erykah Badu. 2009, she enrolled at The School of Jazz at The New School in New York City. Ms. Horn won the 2013 Sarah Vaughan International Jazz Vocal Competition and the 2015 Thelonious Monk Institute International Jazz Competition and, shortly after, was signed by Concord Records. In 2017, she released her debut album, A Social Call, which was nominated for a Grammy Award. Ms. Horn continued to tour nationally and internationally, honing her vocal, performance, and writing skills to convey her message about the global need for love and social change. In 2019, she released Love and Liberation, which also received a Grammy nomination. The following year, she published her book Strive From Within The Jazzmeia Horn Approach while recording her big band album, Dear Love. Dear Love, an album of encouragement through poetry and spoken word addressing the aspects of her community, her love, and herself, was released in September 2021. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Paul Patterson — classical/12-string guitars Justin Dawson — bass Dan Dorff — drums/percussion Sylvia Mitchell — violin/accordion A night of Paul’s original music with flavors of Brazilian jazz guitar and ambient 12-string guitar. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Myles Ellington Twitty — trumpet Chaya Jones — vocalist Dan Karlsberg — piano Justin Dawson — bass Phillip Tipton — drums Join us for A Holiday Special with the Myles Ellington Twitty Quintet featuring the soulful vocals of Chaya Jones! Let the warmth of Myles’ trumpet and Chaya’s captivating voice bring you into the spirit of the season at Caffè Vivace. Get ready for jazz classics, holiday favorites, and a night of festive cheer, perfect for celebrating the magic of the holidays. Don't miss this special event! Myles Ellington Twitty is a jazz trumpeter, arranger, and bandleader from Cincinnati, Ohio. He began playing trumpet at six years old after being introduced to it by his father, a music educator and jazz trombonist. Several years later, he heard Miles Davis’ “Kind of Blue,” which showed him a whole new world of musical possibility, pushing him to become the best trumpeter and Jazz musician he could be. In 2018, he was admitted to the University of Cincinnati’s College Conservatory of Music and graduated in the spring of 2022. As a recent graduate, Twitty is well on his way to becoming a powerful force in the Jazz scene, having performed/studied with some of the most prominent modern Jazz giants, including Marcus Printup, Kurt Elling, Carla Cook, Craig Bailey, Mike Wade, Walter Blanding, and Marc Cary. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Ralph DiSylvestro — trumpet Eric Wurzelbacher — tenor saxophone Joe Duran — alto saxophone Garett Arrowood — trombone Ben Tweedt — piano Justin Dawson — bass Alex Merk — drums The Cincinnati Jazz Messengers are a 7-piece ensemble assembled by trumpeter Ralph DiSylvestro to celebrate the iconic and exciting music of Art Blakey and the Jazz Messengers from the 1950s through the 1980s. Art Blakey’s band featured some of the most influential composers and instrumentalists of the 20th century such as Benny Golson, Cedar Walton, Wayne Shorter, Freddie Hubbard and Bobby Watson. The goal of the Cincinnati Jazz Messengers is to keep the music of these jazz titans alive, and in the spirit of the Jazz Messengers, contribute their own compositions to the diverse and rich songbook. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Ben Levin — piano/vocals Art Gore - drums Aron Levin - guitar/vocal Walter Cash Jr. — bass Ben Levin is a pianist/vocalist based in Cincinnati, OH. He has released five albums on the Vizztone Label Group and has received three Blues Music Award nominations, including Best Piano Player of the Year (2023, 2024). Ben Levin recently released his fifth VizzTone album, a Christmas present wrapped in the blues: Ben Levin Presents A Holiday Blues Revue. For years, Levin has been inspired by classic holiday blues recordings from artists like Freddy King, Charles Brown, and Amos Milburn, among others. He recorded his first holiday-themed track in 2019 and has been building towards this album ever since. This album features many guest artists and many different blues styles. As Ben puts it: “I am honored to have been able to feature so many great artists on this album, and they each contributed perfectly to these unique styles and sounds: Lil’ Ed showcases pure Chicago blues inspired by his uncle J.B. Hutto, Sonny Hill channels soul from the chitlin’ circuit, Candice Ivory highlights how to defy genres, blending blues and jazz, and Lil’ Jimmy Reed brings out the deep blues of Baton Rouge.” Art Gore's drumming style is characterized by signature driving cymbal beats, crisp, sharp snare accents, and well-placed bass drum "bombs." During his six-decade career, he has performed and recorded with such artists as George Benson, Dr. Lonnie Smith, Lonnie Liston Smith, Pharoah Sanders, Woody Shaw, Larry Young, Bobby Watson, Freddie Hubbard, John Scofield, Hank Marr, J.J. Johnson, Joey Defrancesco, Kenny Dorham, Hank Crawford, James Moody, and Ahmad Jamal, to name a few. Dr. Lonnie Smith has said of Art, "Art has the kind of rhythm and drive that's always right there." Art Gore was born into a family of musicians, which began his early exposure to music. By age sixteen, he was playing professionally. After graduating high school, Art attended Berklee College of Music and was drafted into the armed forces for two years. His musical development continued by playing with the First Armored Division Band and orchestra and leading his groups. After serving in the military, Art attended the Berklee College of Music, where he studied with renowned drum instructor Alan Dawson and later at the New England Conservatory of Music under Vic Firth. In 1972, Art joined Dr. Lonnie Smith, leading to traveling and recording with the Grammy-winning guitarist and vocalist George Benson. Upon leaving George Benson's band, Art began working with Lonnie Liston Smith. Art's recordings with Lonnie were some of the most important of his early career. Many jazz enthusiasts consider one of the recordings, "Expansions" (RCA 1975), a jazz-fusion classic. "Voodoo Woman," one of the compositions that Art recorded with Lonnie, is included in the Recommended Recordings of the Decade for the Smithsonian Collection of Jazz in the Seventies. A $15 food/drink minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. There are no refunds within 24 hours of the start of the performance. 

To watch Stella Cole perform is to be transported back in time. Her sense of joy and wonder is infectious—one look at her massive social media following makes this clear. Take a quick scroll through the comments of any of her many viral videos, and you'll see not only her irresistible charm but also her ability to expose fans of all ages to the wonders of the Great American Songbook, especially when these timeless stories are told honestly by an artist with an uncanny ability to transcend generations. On her highly anticipated debut recording, Stella is presented performing interpreting a collection of classics in a variety of settings, including many featuring an orchestra arranged by multiple Grammy-winner Alan Broadbent. Featuring songs made famous by everyone from Barbra Streisand (“When the Sun Comes Out”) and Judy Garland (“The Boy Next Door” and a classic re-interpretation of “Over the Rainbow”) to Billie Eilish (“My Future”) and Audrey Hepburn (“Moon River” of course!), it is sure to be one of the most impressive vocal recordings of 2024. Upon first hearing Stella Cole, one is immediately struck by her rich tone and extraordinary vocal control. However, what is particularly rare is her ability to interpret songs initially intended for actors in character in a direct, personally vulnerable way that connects to something within herself, placing her in the lineage of the greatest interpreters of the repertoire. Perhaps most exciting to her many young fans, who have never heard these songs before, these are Stella Cole songs, making her one of her generation's most exciting artists. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Al West, Jr. — vocalist Matt Harris — piano Celebrate the season with an unforgettable evening of jazz featuring the soulful vocals of Al West, Jr. and the masterful piano stylings of Matt Harris. This dynamic duo will bring their signature blend of jazz standards and holiday favorites to life, creating a warm and festive atmosphere. Join us for a night of timeless classics and joyful cheer to get you into the holiday spirit! If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Cincinnati's legendary Blue Wisp Big Band celebrates its 44th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all of the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is the reason they started playing in the first place.” He felt the desire to start a “world-class big band and wanted to put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. Among the group’s more notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future Blue Wisp Big Band show of equal value will be accepted. 

Steve Schmidt — Hammond organ Brad Myers — guitar Jason Smart — drums Please join the STEVE SCHMIDT ORGAN TRIO in celebrating Christmas and the Holidays for five big nights of fun - Thursday — Monday 12/19-12/23/24. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Steve Schmidt — Hammond organ Mandy Gaines — vocalist Brad Myers — guitar Jason Smart — drums Please join the STEVE SCHMIDT ORGAN TRIO in celebrating Christmas and the Holidays for five big nights of fun - Thursday — Monday 12/19-12/23/24. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Steve Schmidt — Hammond organ Dixie Karas — vocalist Brad Myers — guitar Jim Leslie — drums Please join the STEVE SCHMIDT ORGAN TRIO in celebrating Christmas and the Holidays for five big nights of fun - Thursday — Monday 12/19-12/23/24. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Steve Schmidt — Hammond organ Mandy Gaines — vocalist Brad Myers — guitar Jim Leslie — drums Please join the STEVE SCHMIDT ORGAN TRIO in celebrating Christmas and the Holidays for five big nights of fun - Thursday — Monday 12/19-12/23/24. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

Steve Schmidt — Hammond organ Mandy Gaines — vocalist Dixie Karas — vocalist Brad Myers — guitar Jim Leslie — drums Please join the STEVE SCHMIDT ORGAN TRIO in celebrating Christmas and the Holidays for five big nights of fun - Thursday — Monday 12/19-12/23/24. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Refunds must be requested 24 hours before the start of the performance. 

The Original Farm League Big Band is a 17-piece Jazz Orchestra dedicated to expanding the modern big band repertoire while featuring the work of local arrangers/composers. Formed in 2015, the ensemble comprises many of the Cincinnati/Dayton area's most exciting up-and-coming Jazz players and performs entirely original material. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Celebrating Charlie's return to Cincinnati from the U.S. Air Force Band of the West, the Merk Brothers present the music of the Brecker, Marsalis, Jones, Jensen, and Heath siblings with a healthy dose of Merk originals. Spencer Merk — trombone Charlie Merk — trumpet Alex Merk — drums Ben Tweedt — piano Justin Dawson — bass A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Camille Saba Smith — vocalist Zach Karp — piano Jack Early — bass Melvin Broach — drums Warm up your winter evening with the soulful sounds of Camille Saba Smith, an enchanting jazz vocalist known for her captivating stage presence and lush, velvety tone. Join us for Camille Saba's Winter Rhythms, where she effortlessly blends classic jazz standards with contemporary flair, taking you on a musical journey that’s both nostalgic and refreshingly modern. With her dynamic range and impeccable phrasing, Camille breathes new life into timeless melodies, making each performance a unique experience. Sassy, irrepressible, and wonderfully profound…Cleveland native Camille “Saba” Smith—is a FORCE. A powerhouse of talent, Smith is the quintessential slash artist. Blessed with a five-octave range—she is a self-taught vocalist. Singing brings her joy and has fascinated her for over twenty years! Camille founded the musical ensemble “Saba Jazz” and other groups. She is in demand as an accomplished, versatile studio vocalist and band leader. She has also worked with several well-known artists around the globe. Smith believes that the key to making great music—is diversity. Being well-versed in a variety of genres has taken her far. She has an acute ability to sense the changing needs of her listeners. She considers her performances—a vehicle to connect with the divine while sharing inspiring messages with the world. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Phil DeGreg — piano Aaron Jacobs — bass John Taylor — drums Join us at Caffè Vivace for an enchanting evening with the Phil DeGreg Trio as they present Beyond Jobim – The Wide World of Brazilian Music. This special performance dives deep into Brazilian music's rich and diverse landscape, moving beyond the beloved bossa nova sounds of Antonio Carlos Jobim. The trio will explore various Brazilian genres like samba, choro, and baião, bringing to life the vibrant rhythms, intricate melodies, and captivating harmonies that make this music so timeless and universally loved. Phil DeGreg is a Cincinnati-based pianist who has made his mark in the jazz world over the past four decades as a recording artist, composer, and pedagogue. He has toured with The Woody Herman Orchestra and performed with Randy Brecker, Ira Sullivan, Claudio Roditi, J.J. Johnson, Harry Allen, Conrad Herwig, and many others. He has released 12 albums as a leader. As an educator, Phil retired after 27 years as a Professor of Jazz Studies at the College-Conservatory of Music at the University of Cincinnati. He continues to teach private students and master classes locally and worldwide and has taught with Jamey Aebersold Summer Jazz Workshops for 36 years. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Walfredo Reyes Jr. — drums and percussion Ben Tweedt – keyboards Matt Wiles – bass Walfredo is the current drummer for the legendary band Chicago. He has been a recording and touring percussionist and drummer with artists such as Santana, Steve Winwood, Robbie Robertson, Lindsey Buckingham, Joe Sample, Sergio Mendes, and many more. With the trio, he infuses many music styles, funky grooves, and melodies of songs we love. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend and notify us at least 24 hours before the performance start time, we can offer a one-time transfer to a future show of equal or lesser value. 

Gregory Tardy — tenor saxophone & clarinet Domas Žeromskas — piano Rob Linton — bass Hector Falo Guzman — drums On January 4, 2024, internationally acclaimed jazz tenor saxophonist Gregory Tardy takes the stage at Caffè Vivace for an unforgettable evening of music. Known for his soulful tone and profound artistry, Tardy will honor the legacy of the legendary Wayne Shorter, performing selections from Shorter’s iconic repertoire. In addition to this tribute, Tardy will showcase his original compositions, blending tradition with innovation. Don’t miss this captivating performance by one of today’s most respected voices in jazz. Reserve your seat now for an evening of musical mastery! Saxophonist, multi-reedist, and composer Gregory Tardy is one of the most versatile jazz musicians of his generation. He is equally comfortable in a variety of musical and improvisational situations. Born into a musical family, he began his musical career studying classical clarinet. In his early 20s, while preparing for a symphony career, he discovered jazz saxophone and hasn’t looked back. In 1992, he started playing with the legendary drummer Elvin Jones and recorded his first CD, Crazy Love. As a sought-after sideman, he has played with many prominent jazz artists, including Andrew Hill, Tom Harrell, Dave Douglas, Wynton Marsalis, Jay McShann, Nicholas Payton, Roy Hargrove, Steve Coleman, Betty Carter, Don Byron, Bill Frisell, Rashied Ali, Ellis Marsalis, Brian Lynch, John Patitucci, and many more. He has also performed and/or recorded with many other notable saxophonists, such as Joe Lovano, Mark Turner, Chris Potter, Dewey Redman, and Ravi Coltrane. In recent years, Tardy has gone full circle by focusing on his clarinets more, using them on recordings by Tom Harrell, Ohad Talmor/Steve Swallow, Stefan Harris, Chris Potter, and Andrew Hill. His performance schedule has taken him worldwide, playing at all major jazz festivals and on some of the biggest stages in jazz. As a sideman, he has been featured on several Downbeat Albums of the Year and several Grammy-nominated recordings, including a Grammy-winning CD with Brian Lynch in 2006. He also has recorded fourteen CDs under his name featuring his unique compositions, blending his love of traditional jazz with a more modern seeking style. His latest project, If Time Could Stand Still, was released in the fall of 2020 on WJ3 Records. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Edgar Byars - tenor saxophone David Galli - alto saxophone Noam Makover - trumpet Alex Nicodemus - piano Justin Dawson - bass Sten Greifer - drums Combining the sounds of Miami and Cincinnati, the Edgar Byars Sextet brings a new, unique approach to the classic Jazz Sextet. Inspired by Armenian folk music, Latin Rhythms, and the unforgettable Bop sound, this group is at the cutting edge of modern jazz. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Cincinnati's legendary Blue Wisp Big Band celebrates its 44th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all of the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is the reason they started playing in the first place.” He felt the desire to start a “world-class big band and wanted to put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. Among the group’s more notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future Blue Wisp Big Band show of equal value will be accepted. 

Jordan Pollard – piano Matt McCoy — bass Tom Buckley — drums Ahmad Jamal is celebrated for his innovative blend of jazz elements, emphasizing subtlety, space, and rhythm. His music often features a minimalist approach, highlighting conventional interplay between musicians. Join us as we exhibit the moods and textures of this unique sound, notable for its sophistication, melodic creativity, and the use of silence as a powerful musical tool. Jordan Pollard is a jazz pianist originally from Minnesota, where she started performing at age 15. From 2006-2012, she performed and taught in San Antonio, TX, including an original works group called the San Antonio Jazz Workshop. She’s been local to Cincinnati since 2012, where she freelances. During her Cincinnati years, she hosted the Monday Night Jazz Jam at Stanley’s Pub from 2015 to 2021 while playing several local and regional venues. As of late, she can be seen regularly at Palm Court at the historic Netherland Plaza, The Härth Room, Schwartz’s Point Jazz & Acoustic Club, and Caffe Vivace. Jordan earned a Bachelor of Music in Jazz Studies from the University of MN-Duluth and a Master of Music in Jazz Studies from UC's College-Conservatory of Music. During her studies, Jordan was fortunate to have opportunities to travel, perform with top-tier professionals, and take occasional lessons from pianists Billy Taylor, Kenny Werner, and George Cables. She’s been composing since 2002 and thoroughly enjoys exploring her and others' compositions, especially in this trio setting. Important Notices: A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Mike Wade — trumpet Andrew Bishop — saxophone Phil DeGreg — piano Glenn Holmes — bass Francis Wyatt — drums The Flyover Collective is a mainstream and intrepid jazz ensemble led by Cleveland bassist Glenn Holmes, Cincinnati trumpeter Mike Wade, and Detroit/Ann Arbor saxophonist Andrew Bishop. During his career, Mike Wade was named one of the top ten unsigned jazz brass players, as rated by Jazziz Magazine (1997). His composition, “Blues for Shorty Bop,” was chosen for inclusion in the Jazziz on Disc collection. He has performed and recorded with such artists as David “Fathead” Newman, Clark Terry, Javon Jackson, Bobby Watson, Gary Bartz, Mulgrew Miller, Rene Marie, Don Braden, and Steve Wilson. Steve Wilson has said of Mike, “Mike Wade has secured his place among the legacy of great trumpeters…people get ready!” Mulgrew Miller has said of Mike, “Mike Wade is a very exciting and creative jazz trumpeter. He is also a very charismatic bandleader. He is dedicated and ambitious. It was a pleasure to play with him”. Craig Bailey has said of Mike, “Mike Wade is one the most inspiring musicians of the new millennium. He has the fire and energy that it takes to be a great leader as well as a great artist. His hustle ability on and off the horn will take him to many new horizons. He is a name not to forget and a trumpet player not to miss.” A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you cannot attend, a one-time transfer to a future show of equal value will be accepted. 

Joel Frahm — tenor saxophone Steve Schmidt — piano TBA — bass Jim Leslie — drums For over 30 years, Joel Frahm lived in New York City, working in jazz clubs, collaborating with other musicians, and honing his craft. He now lives in Nashville, where he continues to play the music he loves. His bold, inventive tenor sound has won fans in the U.S. and worldwide. He has worked alongside Betty Carter, Kenny Barron, Freddy Cole, Dianne Schuur, Kurt Elling, Jane Monheit, Bill Charlap, Brad Mehldau, Matt Wilson, Cyrille Aimee, and many other top artists. He has played as a leader or sideman on over 100 recordings and has appeared at jazz festivals in the United States, Europe, Israel, Canada, and South America. In addition to his work as a performer, he has taught jazz classes in clinics at the University of North Carolina, the University of Connecticut, New York University, Wichita State University, the University of North Texas, Baylor University, Colorado State University, Furman University, the University of Toronto, the University of Michigan, Michigan State University, the University of Manitoba and others. He also has worked at the Monterey Jazz Festival’s Next Generation program; the Sant Andreu Youth Jazz Orchestra in Barcelona, Spain; the Dave Brubeck Institute in Stockton, California; the Center for Jazz Studies at the Israel Conservatory in Tel Aviv; the Czech Jazz Workshop in Prague; and the Siena Jazz Workshop in Italy. Joel grew up in Racine, Wisconsin, and moved to West Hartford, Connecticut, as a high school freshman, where he became part of the acclaimed Hall High School jazz band. There, he developed a passion for jazz, exploring the music of jazz greats such as Art Blakey, Freddie Hubbard, Horace Silver, and Wayne Shorter. 1992, he received a bachelor's degree from the Manhattan School of Music. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Sylvain Acher — guitar/ vocals Rob Allgeyer — accordion Eric Sayer — bass Matt McAllister — drums Transatlanits is a Mélange of original French compositions combined with world rhythms, which, in the hands of four accomplished musicians, results in a new and exciting multicultural experience. Drawing from genres such as traditional French songs, Gypsy, Jazz, Brazilian (and even a little Cajun), their music transports listeners and transforms events into a musical journey worldwide. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Cincinnati's legendary Blue Wisp Big Band celebrates its 44th year of swingin' Big Band music at Caffe Vivace. Founded in January 1980 by drummer John Von Ohlen and trumpeter Don Johnson, the Blue Wisp Big Band got its start in and its name from the late Blue Wisp Jazz Club. Von Ohlen, a native of Indianapolis, moved to the Cincinnati area after many years on the road playing with world-class jazz orchestras, most notably those of Stan Kenton and Woody Herman. After hearing all of the fine musicians in the area, he felt there was a need to form a group because most of them “weren’t playing any jazz, which is the reason they started playing in the first place.” He felt the desire to start a “world-class big band and wanted to put it in a tavern, a beer joint.” Don Johnson, who had been on the Cincinnati scene for years, suggested which instrumentalists should play in the band. Von Ohlen states, “Don was the horn connection.” Pianist Steve Schmidt and bassist Michael Sharfe were already playing with Von Ohlen at the Blue Wisp in the Steve Schmidt Trio, Wednesday through Saturday nights, so the rhythm section was easily formed. Von Ohlen remembers approaching Paul and Marjean Wisby, the original owners of the Blue Wisp, with the idea, “Wednesday is a slow night. Why don’t we bring in a big band and blow the roof off the place? It worked real good.”Since its inception, the Blue Wisp Big Band has been the top jazz orchestra in Cincinnati. The hard bop-oriented big band started recording in 1981: first, an LP sponsored by the Cincinnati television station WKRC, and then four for the Mopro label, founded by Fred and Helen Morr, in the 1980s. The Mopro LPs were reissued in the mid -’90s on two CDs on the California label Sea Breeze, with one of the sets recorded in Los Angeles during a West Coast tour in 1984. Through the devoted and hard work of Helen Morr, the LPs were distributed around the country and Europe, garnering notice, good reviews, and airplay around the world. Among the group’s more notable members were trumpeter Tim Hagans and bassist Lynn Seaton. The band continued to perform at the Blue Wisp Jazz Club in Cincinnati on Wednesday nights until its closure in the summer of 2014. After a six-month tenure at Japp’s Annex in downtown Cincinnati, a short stint at Pirate’s Den in Westwood, and three years at the Urban Artifact in Northside, the band has a new home at Caffè Vivace in Walnut Hills. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future Blue Wisp Big Band show of equal value will be accepted. 

Bria Skonberg is a Juno-award-winning artist, 10x Downbeat Rising Star, and Jazz at Lincoln Center Swing! Awardee and the 2022 recipient of the "Legend" Award by the Society for the Preservation of the Great American Songbook. The trumpeter, vocalist, and composer has been called the"shining hope of hot jazz" (NY Times) and is considered "one of the most versatile and imposing musicians of her generation." (WSJ) She has been a featured artist at hundreds of festivals and stages worldwide, including New Orleans Jazz & Heritage, Monterey, Newport, and Montreal Jazz Festivals. The daughter of teachers, Bria was introduced to jazz by a spirited public school band program and local festival in her hometown of Chilliwack, British Columbia. A professional band leader since her teens, she moved to Vancouver and obtained her degree in Trumpet Performance from Capilano University. Since arriving in New York in 2010, she has been at the forefront of a revival of classic American music as both a performer and educator, programming concerts and workshops for students of all ages on behalf of Jazz at Lincoln Center, the Louis Armstrong House Museum, Jazz House Kids and more. Bria is an active mentor in the Women in Jazz Organization, a Bach Conn-Selmer artist, a board member of the International Trumpet Guild, and became a mother in 2020. Her upcoming seventh studio album, What It Means, was recorded in New Orleans with Crescent City’s finest and will be released in July 2024. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Mark Lomax II — drums Edwin Bayard — tenor saxophone William Menefield — piano Dean Hulett — bass In commemoration of the 60th anniversary of John Coltrane's iconic album 'A Love Supreme,' The Mark Lomax Quartet will perform a special concert to honor Coltrane's profound influence and present original compositions inspired by the themes of peace, harmony, and spiritual unity that 'A Love Supreme' embodies. Audiences will be treated to an evening of transformative music as The Mark Lomax Quartet channels the uplifting power of Coltrane's work and the universal themes it represents. The performances promise to celebrate the human spirit and music's capacity to inspire positive change. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

The Original Farm League Big Band is a 17-piece Jazz Orchestra dedicated to expanding the modern big band repertoire while featuring the work of local arrangers/composers. Formed in 2015, the ensemble comprises many of the Cincinnati/Dayton area's most exciting up-and-coming Jazz players and performs entirely original material. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Paul Patterson — violin Brian Lovely — guitar George Cunningham — guitar Don Aren — bass Guitarist Django Reinhardt and violinist Stephane Grappelli fronted the Quintette of the Hot Club of France in and around Paris from 1934 to 1939. They constituted the first generation of European jazz musicians. The Hot Club blended backgrounds in traditional gypsy and European popular and classical music with the then-new sounds of American jazz artists like Duke Ellington, Louis Armstrong, Fats Waller, and Benny Goodman to create a new musical genre, now often called "gypsy jazz." The Faux Frenchmen adapt the Hot Club’s instrumentation and style in forging their own re-Americanized take on gypsy jazz. Their four CD releases, Faux Frenchmen (2007), Oblivion (2008), The Swing Shift (2010), and 3 AM Waltz (2011), bend the relationship between American and European jazz, utilizing elements of both to create a distinctive stylistic voice. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Mandy Gaines — vocalist Eric Lechliter — trumpet Phil DeGreg — piano Chris Berg — bass Phillip Tipton — drums Join us for an unforgettable evening as acclaimed jazz vocalist Mandy Gaines and talented trumpeter Eric Lechliter pay tribute to the legendary Dinah Washington and Clifford Brown. Mandy's soulful voice and Eric's dynamic trumpet will bring these timeless classics to life, celebrating the elegance and brilliance of two of jazz's most iconic figures. Expect an evening filled with swinging melodies, rich harmonies, and heartfelt interpretations that honor Washington and Brown's legacy. If the total amount of beverages purchased by the party does not meet the minimum, a $15 food/drink minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Paul Patterson — classical/12-string guitars Justin Dawson — bass Dan Dorff — drums/percussion Sylvia Mitchell — violin/accordion A night of Paul’s original music with flavors of Brazilian jazz guitar and ambient 12-string guitar. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

David S. Burk — vocals and harmonica David Lloyd — bass Greg Chako — guitar Mike Meloy — drums David & The HeartStrings perform a mix of original & covers of blues/swing, plus songs from the Great America Songbook such as This Time the Dream’s on Me, It’s Easy to Remember, On the Street Where You Live, The Night They Called it a Day, and the Ray Charles classic, You Don’t Know Me. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Michael Sharfe — bass John Zappa — trumpet Tim McCord — tenor saxophone Brian Batchelor-Glader — piano Andrew Gillum — drums Baba Charles Miller — percussion Celebrating the classic mambo, Latin jazz, and cha-cha of Tito Puente, Cal Tjader, Poncho Sanchez, and Mark Levine, Mambo Combo has its compass set toward Cuba. It produces music that is powerfully exciting rhythmically, by turns celebratory and yearning. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Nate Smith — drums Jason Lindner — keys/synth Tim Lefebvre — bass Nate Smith is a drummer, composer, & producer from Chesapeake, Virginia. His visceral, instinctive, and deep-rooted style of drumming has led to three GRAMMY® nominations and work with esteemed artists, including Pat Metheny, Dave Holland, Brittany Howard, Van Hunt, The Fearless Flyers, Norah Jones, and Somi. Smith fuses his original compositions with an eclectic mix of music, including everything from jazz to R&B to hip-hop to pop. His latest album, Kinfolk 2: See The Birds (released September 2021 on Edition Records) is the highly-anticipated follow up to his 2017 GRAMMY® Award-nominated album, Kinfolk: Postcards From Everywhere. In recent years, Smith’s viral videos have been viewed by millions of people, underscoring his popularity as one of the most influential drummers of his generation. A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

After almost three years, Kandace Springs’ legion of worldwide fans finally has a new album to watch. 2024’s Run Your Race, her tribute to her late father, legendary Nashville soul singer Scat Spring, is the first album of hers to feature almost all original songs, written by Kandace both solo and with some stellar collaborators, such as Gregg Wells (Adele), Matt Hales (Liane La Havas), and her long-time partners Evan Rogers and Carl Sturken (Rihanna). “This album is probably the most personal one I’ll ever make,” says Ms. Springs. “My dad was a huge influence on my life and music, and when he passed away earlier this year, I knew I had to pay tribute to him with this record.” Backed by her ace all-female rhythm section and joined as usual by a stellar group of guest artists, including Elena Pinderhughes (Herbie Hancock) and Karriem Riggins (Diana Krall), Kandace delivers her most heartfelt and personal record yet. The songs range from an early gem, “Look,” that Kandace wrote with her father, to the album’s feature track, “Run Your Race,” written in late 2022, a touching tribute to her college track star dad’s journey through life. A couple of classic standards, “Wild Is The Wind” (made famous by Nina Simone) and “What a Wonderful World,” make their appearance as well, as they were songs that Scat introduced to his daughter in her formative years. “He opened the door for me of a whole musical world, I went in and I’ve never left.”  Kandace’s last album, The Women Who Raised Me, was released in 2020, garnering 5-star reviews from publications ranging from DownBeat to The New Yorker, as well as winning the Deutscher JazzPreis for best vocal album of the year. Three years is a long time, but Kandace is convinced that her fans will feel the wait was worth it. “In a way, this album took a lifetime to make,” she says, “and I think it shows.” A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

After almost three years, Kandace Springs’ legion of worldwide fans finally has a new album to watch. 2024’s Run Your Race, her tribute to her late father, legendary Nashville soul singer Scat Spring, is the first album of hers to feature almost all original songs, written by Kandace both solo and with some stellar collaborators, such as Gregg Wells (Adele), Matt Hales (Liane La Havas), and her long-time partners Evan Rogers and Carl Sturken (Rihanna). “This album is probably the most personal one I’ll ever make,” says Ms. Springs. “My dad was a huge influence on my life and music, and when he passed away earlier this year, I knew I had to pay tribute to him with this record.” Backed by her ace all-female rhythm section and joined as usual by a stellar group of guest artists, including Elena Pinderhughes (Herbie Hancock) and Karriem Riggins (Diana Krall), Kandace delivers her most heartfelt and personal record yet. The songs range from an early gem, “Look,” that Kandace wrote with her father, to the album’s feature track, “Run Your Race,” written in late 2022, a touching tribute to her college track star dad’s journey through life. A couple of classic standards, “Wild Is The Wind” (made famous by Nina Simone) and “What a Wonderful World,” make their appearance as well, as they were songs that Scat introduced to his daughter in her formative years. “He opened the door for me of a whole musical world, I went in and I’ve never left.”  Kandace’s last album, The Women Who Raised Me, was released in 2020, garnering 5-star reviews from publications ranging from DownBeat to The New Yorker, as well as winning the Deutscher JazzPreis for best vocal album of the year. Three years is a long time, but Kandace is convinced that her fans will feel the wait was worth it. “In a way, this album took a lifetime to make,” she says, “and I think it shows.” A $15 drink/food minimum is charged per person in the party, per set, if the total for beverages purchased by the party does not meet the minimum. If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted. 

Ron Jones — alto saxophone Rob Allgeyer — piano Michael Sharfe — bass Jim Leslie — drums Join us at Caffe Vivace for an evening of classic jazz as renowned alto saxophonist Ron Jones performs the timeless music of Duke Ellington. Enjoy an intimate, soulful performance that captures the essence of Ellington's greatest works. Whether you're a dedicated jazz fan or new to the genre, this night promises to be a memorable celebration of live music. Don't miss this opportunity to experience the artistry of Ron Jones and the enduring melodies of Duke Ellington. Ron Jones graduated Cum Laude from Florida A&M University with a Bachelor of Science in Music Education. Jones was also a member of the world-famous FAMU Marching 100 Band. Jones is involved in jazz education, giving workshops at many Universities and High Schools in the Midwest. He has been a guest artist, clinician, and lecturer at Ohio State University, Cincinnati Conservatory of Music, Purdue University, Central Michigan University, Bradley University, Middle Tennessee State University, University of Kentucky, Indiana Wesleyan University, Southern Illinois University-Carbondale, Ball State University, Indiana State University, The University of Evansville, Vincennes University, Berea College, Ferris State University, University of Louisville, Grand Rapids Community College, University of Indianapolis, Eastern Kentucky University, and many others. In 1997 Jones recorded his first CD, “A Vision of Beauty”. The CD has received nationwide airplay and great reviews from Jazziz and Cadence Magazines. Jones has performed with some of the biggest names in jazz like Diane Reeves, Terell Stafford, Christian McBride, Wynton, Branford, & Delfeayo Marsalis, Slide Hampton, James Williams, Kenny Kirkland, Bill Cunliffe, John Von Ohlen, Richard Davis, Jimmy Rainey, Cal Collins, Nat Adderley, Rufus Reid, Conrad Herwig, Donald Brown, John McNeil, Bobby Shew, Wycliffe Gordon, Gregory Hutchison, Winard Harper, Joe Labarbera, Pat Labarbera, Bob Hurst, Don Braden, Ed Soph, David Baker, Jamey Aebersold, Dan Hearle, Jerry Coker, Adam Nussbaum, David Liebman, Hal Galper, Ed Thigpen, Richard Groove Holmes, and many others. If the total amount of beverages purchased by the party does not meet the minimum, a $15 drink/food minimum is charged per person in the party, per set. Important Notices: If you do not check in by 15 minutes into the start of the set, we reserve the right to resale your seats with no refund. Tickets for this performance are non-refundable. If you are unable to attend, a one-time transfer to a future show of equal value will be accepted.